3.26.2009

Testament (ballad)


Someday I’ll peel away this skin
And slip into the sod,
I’ll make amends to kith and kin,
And then my peace with God.

Then when I lie beneath the earth
A soul of simple mien,
I’ll patiently wait for second birth
To up my soul again.

And if I may, but one request
Then I shall never complain:
When you lay me down to rest,
Rest me on the plain.

Let the prairie grass alone
Upon my sacred mound,
So when the spirit-wind has blown
My soul can hear its sound.

My soul will hear its sound and sigh,
Expirate, if you will,
Appear a little sapling high
Upon that self-same hill.

And if the heavens will me there,
And if I’m saved from fire,
Where should I yearn but every year
To inch a heaven higher?

No longer lost in doubts and dreams,
And nothing to defend,
I’ll simply be the thing I seem,
At once my means and end.

Roads to me will lose their way
And vanish in the grass,
None will be around to say,
‘And then it came to pass

That the human density
Had winnowed down to nil,
But here we have immensity
Upon our self-same hill.

Always out and always home,
How good it is to be
Unjustified and all alone
With no one left to please!’

No, there is not anyone
To tell my story to,
Now the endless days have come
To fill my leaves with dew.


3.23.2009

thomas merton

"...The happiest consumation for the artist as such: his art may be integrated into an organic spiritual whole and become the most vital expression of a life of praise and worship." from Sign of Jonas


"The perfection of twelfth-century Cistercian architecture is not to be explained by saying that the Cistercians were looking for a new technique. I am not sure that they were looking for a new technique at all. They built good churches because they were looking for God. And they were looking for God in a way that was pure and integral enough to make everything they did and everything they touched give glory to God.

"We cannot approach what they did because we approach the problem in a way that makes it impossible for us to find a solution. We ask ourselves a question that they never considered. How shall we build a beautiful monastery according to the style of some past age and according to the rules of a dead tradition?

"One of the big problems for an architect in our time is that for a hundred and fifty years men have been building churches as if a church could not belong to our time. A church has to look as if it were left over from some other age. I think that such an assumption is based on an implicit confession of atheism--as if God did not belong to all ages..."

from Sign of Jonas

+++

From Alan Watts' Behold The Spirit:

"The Western world has not thus far evolved a Christian art at all. That is to say, it thinks of religious art in terms of liturgical art--painting, literature and music having formally religious subject matter. There is no conception yet of painting a landscape, a group of flowers, a portrait, a street scene, in a Christian and incarnational way. There must even be a Christian way of making shoes and washing one's hands, and by that we do not mean that there should be a crucifix and two candles beside the washbasin!"

3.12.2009

"And in this [our Lord] showed me something small, no bigger than a hazelnut, lying in the palm of my hand, and I perceived that it was round as any ball. I looked at it and thought: What can this be? And I was given this general answer: It is everything which is made. I was amazed that it could last, for I thought that it was so little that it could suddenly fall into nothing. And I was answered in my understanding: It lasts and always will, because God loves it; and thus everything has being through the love of God." - Julian of Norwich

(See Also: The Order of Julian of Norwich)